In our latest issue of City Limits we head to Los Angeles as the city prepares to host two of the world’s biggest sports events in the next five years…

City Limits Volume 10 – download it here

For the tenth issue of City Limits – Crowd DNA’s ongoing exploration of the urban experience – we’re exploring sport as another lens to focus on city culture (read previous issues on themes such as mobility and the night economy here). But this time, things are a little different, as we turn our focus onto a single city for once. With the men’s World Cup in 2026 and the Olympic and Paralympic games in 2028 both taking place in LA, the city is uniquely placed to showcase sport today – and forecast how it could look next in our ever-evolving cities. 

These are going to be the first global sports events that Gen Alphas experience as young adults, and the world’s entertainment capital will surely know how to get their attention. Our City Limits reports on how preparations are taking place for this, and what it could look like both off-pitch and on…

The City Limits LA Sports issue combines Crowd DNA’s new research on the Future Of Sport with talking to people on the ground across the city itself, as well as looking at issues like the impact of big events for marginalized urban communities, and brand initiatives during big sports events.

The full 13-page report includes:

_27 emerging trends in sport

_We talked to 500 people across the US for a full survey on the Future Of Sport 

_The conversations about sporting events impact on a city and its community

_A semiotic analysis of what event design reveals about action off the field

_LA right now as Angelenos speak up about what matters to them

City Limits Volume 10: download it here 

Thurs October 5 at 1pm & 5pm BST / 12pm & 5pm EST. RSVP by clicking the first session here and the second session here.

Everything’s A Mess... a webinar on how brands can navigate uncertainty 


As you may have noticed, it’s been a turbulent few years. Shocks of uncertainty feel like they’re coming more seismically and frequently than ever (though, spoiler alert: things have always been uncertain) leaving us, and brands, and consumers in a constant state of flux. 

But it isn’t all doom and gloom. There is good to come from uncertainty, and in chaos lies opportunity. So, how can you find a way through? 

What should brands do or not do? Are you a hand holder, facilitator of escapism, or relatable realist – and what’s right for your brand?


At Crowd DNA we’re all about embracing the messiness of culture. It’s where we think brands can really thrive, and we relish our role as specialists in navigating unknowns. In this webinar we’ll:

_Discover how uncertainty can be a motivator for both consumers and brands

_Explore the human needs that are heightened in response to instability

_Use our trends and semiotics expertise to provide guidance on how brands can speak to these needs, across visuals, language and more


Join Rachel Rapp, futures director, and Amy Nicholson, associate director, futures, on Thurs October 5 to get stuck into the mess.

RSVP by clicking 1pm BST / 8am EST here and 5pm / 12pm EST here.

Reframing Ageing: APAC

The older adult category is stuck in time. Our new report shows how to get in step with today’s 50-plus people who are passionately reframing ageing…

Reframing Ageing: APAC download it here.

As people get to their fifties and sixties, they talk about how they experience ageism – at work, on a billboard, in culture. Our report, focussing on the APAC region, uses the Four Is – Irrelevance, Inferiority, Infantilization and Invisibility – to describe what this feels like. But these experiences are now being roundly rejected. We wanted to look at the people who are growing older but arriving at a life stage and feeling like it actually has so much potential in all areas. 

Reframing Ageing researches the ‘rejecting, reassessing, reclaiming’ of ageing that’s taking place. We use cultural cues, research and talking to our KIN members across APAC – Crowd DNA’s global network of creators and connectors – to show what we can learn about the needs of the 50-plus person and what they want when ageing is reframed….

The Reframing Ageing report introduces the 50-plus person who is completing extreme marathons, starting new businesses, or enjoying edgy fashion (as well as grey hair and going to the doctor more often). These shifting attitudes to ageing make opportunities for new products, media targeting or user images.

The full 35 page report includes:

_Insight on how it feels to experience ageism and where it can alienate customers

_Three emerging trends in ageing: Rejecting ageing – Reassessing ageing, and Reclaiming ageing

_Interviews with our KIN network about ageing positivity 

_Spotlight on what we can learn for products and brands

_Data on how the culture around ageing effects people in work and well-being

Reframing Ageing: APAC download it here

Crowd Shortcuts – a quick chat about something that’s caught our attention. This week, how the fashion for clothes that shroud or reshape give confidence to take up space in the world…

What’s all this then? This summer, Kanye West took girlfriend Bianca Censori to church, with her concealed by a cushioned wall encircling her neck and black fabric that stretched all the way over her head and torso with no arm holes or sleeves. Also seeking clothing for concealment at a blockbuster premiere, actress Hayley Atwell hid half her body in oversized-plus trousers by Ashi Studio – opting out of the red carpet norm for female actors. Meanwhile weeks earlier, at London’s fashion week, models had their necks and ankles covered up by super voluminous ruffles, and wore big brooches that were more armour than accessory.

Finally, a stylish alternative to the kaftan! Yes, these clothes look pretty darn cool. But more than that – and yes, even more importantly – these cover-ups will administer safety. They are clothes that give anonymity, or they rebuff the male gaze, or literally allow the wearer to take up more space – actions desired by celebs and people in everyday life alike. 

A cover-up? Sounds like the opposite of the bodycon trend… Not at all, and that’s what makes this so exciting. The original bodycon clothing equalled women being tightly stitched into their dress to experience the suffocating grip of passing as skinny and hot. But these clothes are still look-at-me fashion like the bodycon dresses that clung to every line of the figure. Yet it’s moved on to reflect our current needs: clothes that provide service to the wearer (safety, or space) as well as body confidence that is no longer predicated on binaries like fat or thin, small or large. 

Stylish clothes serving up body confidence for more of us? We like… And there’s more. Let’s look at how pop star Sam Smith doesn’t let their gender identity be reduced to choice of clothing by embracing this new bodycon trend. At the Brit music awards earlier this year, their outfit by HARRI featured a high neck, inflated arms and legs and a zip-up design over the chest – mocking the traditional concepts of couture that flaunt the perfect shape of the body. Embracing sculptural clothes was a way for them to comprehensively present their identity as not narrowly defined, as fluid, as a new shape entirely.

Body and soul confidence, then… and clothes helping us to have the space for that exploration is quite a cultural moment. Holding space and…

… literally giving space… You’ve got it. In our post-pandemic world it is also quite handy to have a large floral accessory that both serves looking stylish and makes people stand some distance from you. 

TL;DR: What to wear has always been a dance between personal expression and the need to pass in the world at large. This new body-con enables both: to be confident about your expression of self in clothes, and feel safe doing so. It takes the body-conditioning – that we all need to look a certain way – out of body-con. And that’s true body confidence for all.

Crowd Shortcuts – a quick chat about something that’s caught our attention. This week, how local neighbourhood stores are selling luxury convenience…

What’s all this then? An everyday visit to the local convenience store is turning into a luxury browsing opportunity. You may have heard of the lipstick index: it’s a way to spot a recession by lipstick sales going up as people turn to purchasing treats within their budget. Now look instead to the ‘local store index’, because this is the new place for cash-strapped consumers to find affordable luxuries.

Luxury among the cans of baked beans? Tell me more… The neighbourhood shop has undergone a glow-up. We see this in the bodegas of New York city making space for guest-curated snack boxes, craft beers and fancy, localised gifts.

Now you mention it, I have noticed expensive olive oil and kombucha on tap… Bingo!

So will we be ditching mega supermarkets? They’ve jumped on the local luxe movement, too. In the UK, supermarket giant Asda launched On The Move convenience stores last year – promising “a wide range of premium ‘Extra Special’ products” – while Aldi’s Corner Store in Sydney does a fast turnover in treat lunches: fresh sushi and artisan baked goods. Meanwhile, luxury convenience stores in South Korea have overtaken Japan in scale, and doing so with a focus on “developing unique products” (McKinsey, 2023).

Isn’t the economy amazing! Sure is. But local luxe is not just being driven by the economy. It reflects changing consumer values – as we see in how 7-Eleven (the largest convenience store chain in the US) is installing new charging stations for electric vehicles in its local branches, hoping to attract the environmentally-minded customer.

And the cherry on the luxe cake… here’s the even better sell: it takes us full circle back to a time when we’d go to the local baker, butcher and candlestick maker. Now the corner shop is getting the good stuff on the shelves – and not just essentials, which it always has done – it offers the kudos of a local market, of knowing what their customer really wants, of generating word of mouth recommendations.

Will this change the aspirations of product makers? They may move away from wanting to sell in enormous bulk to supermarkets and want to talk to local shop owners (even if it means lower profit margins) instead. Or brands may get better quality awareness from a local, trusted supplier.

Blimey. And the local store index? In a tougher economic landscape, few would argue with the sense in turning to the small treats to sustain us rather than emptying our bank accounts with bigger ticket items. Some may even claim their local artisan bread habit as an act of anti-globalisation… 

TL;DR: Local, luxury, convenient and conscious consumption – now that’s a shopping style that should outlast the cost-of-living crisis.

Waste-Not-Want-More

How ‘zero-waste’ became the new immersive dining experience – Crowd’s Phoebe Trimingham looks at our appetite for sustainable haute cuisine…

City Limits Volume Nine – download it here.

In our latest issue of City Limits – our regular exploration of changing urban experience – we look at solutions to world problems in the food business – from climate labels on menus to floating farms. One of our spotlights on sustainability is the rise of the zero-waste restaurant as not only a call to action, but an immersive experience for the diner.

Cities around the world are full of immersive dining experiences. From eating dinner in a makeshift aircraft, to sipping cocktails in the cupboard of a pawn-shop; going out for a meal is no longer just about the food. For those looking beyond standard dining experiences, meals are accompanied by a spectacle. So much so that experience fatigue has set in. 

So where do you turn when all the ‘experiences’ have been had? When you’re served yet another once-in-a-lifetime theatre show while trying to eat your soup? You turn back to the real hero: the food. Forward-thinking restaurants in global cities are shunning the temptation for distracting entertainment, and letting the food become the experience again. 

Enter the zero-waste restaurants: establishments attempting to do away with food waste entirely. Here, the food becomes the focus as diners buy into the admirable attempt at fully sustainable dining. While the issue of waste is certainly not a recent obsession for the restaurant industry – lots of places have been experimenting with sustainability for decades – what’s new is the front and centering of the efforts, and the glamorisation that goes with it.

Silo in London, for example, is designed ‘back to front’ with the bin in mind (irony being they don’t actually have a bin, they don’t need one). All food is used in its entirety – think cured mushroom stems and yeast treacle. Any leftovers are composted and sent back to their hyperlocal suppliers. Like Silo, Helsinki’s Nolla (‘zero’ in Finnish) sends compost back into the system, but guests are welcome to take home a scoopful too – a different kind of doggy bag. It’s philosophy of ‘refuse, reduce, reuse, and only as a last resource, recycle’ is consistent, from a reusable coffee container and a composter (above) to not accepting food that comes in single use plastic.

Meanwhile, Mume in Taipei has a dedicated sourcing manager (rare in a small, Asian restaurant) with the mission to champion underrated Taiwanese ingredients and zero-waste cooking practices.

These places strive to avoid food leftovers, but also any scrap of rubbish. Rhodora in Brooklyn – a fully sustainable wine bar also ‘waging a war against waste’ – shreds wine boxes into compost material and donates corks to an organisation that turns them into shoes. Everything is transported on bikes. Back at Silo, plates are made from plastic bags, wall lights from crushed bottles, and ceiling fixtures from dried seaweed. This all-in approach to the zero-waste concept is what makes these restaurants a fully immersive dining experience – no gimmick-y entertainment required.  

But these restaurants aren’t cheap: they’re all mid to high-end. This is interesting for two reasons. Firstly, sustainability is definitely something to be coveted, but why is the experience of it not more accessible? Secondly, could the price points actually work in sustainability’s favour? Making zero-waste dining a sexy, high-end experience brands the concept as an aspirational lifestyle. Like the Tesla car model, fancy zero-waste restaurants could, in turn, make the thought of intensive recycling more desirable – eggshell compost and all.  

Saying that, it is a bit odd to glamorise something that should be an everyday activity. If people are playing at sustainability when they dine out, are they less likely to practise it at home? The very act of going out for a meal that has been beautifully prepared for you distances it – managing food waste becomes something to passively experience and admire, rather than actively do. 

Either way, city diners are hungry for new, immersive experiences – and zero-waste restaurants are a welcome addition to the menu.

City Limits Volume Nine – download it here.

Crowd Shortcuts – a quick chat about something that’s caught our attention. This week, how men’s bracelets have become the ultimate social signifier…

What’s all this then? Charmed, beaded, woven… the humble bracelet has become the latest menswear trend catapulted into the limelight. From A-listers to activists, stacks of bracelets strung around wrists have become a new, subtle social signifier for men with something to say.

A few beads can’t really say that much, can they? Turns out they can, actually. For men of a certain status, wearing a well chosen bracelet is a way of campaigning without overtly campaigning. 

I don’t buy it. Surely nobody that important is wearing one? Two words: King Charles.

The King Of England? Wearing a bracelet? Yep. The first portrait since the start of his reign was released ahead of this month’s coronation. The painting depicts the King in his signature look – pinstripe suit, pocket square, smize – all pretty normal. But a closer look reveals a black braided bracelet with a gold trim and red beads, positioned just below the King’s watch. This bracelet was presented to him by Domingo Peas, the leader of the Ecuadorian Amazon’s Achuar community, during a meeting to discuss the implementation of global biodiversity plans. The artist included the bracelet to symbolise the King’s commitment to climate change and sustainability.

So this isn’t just men wearing old festival wristbands? No, this is much more intentional. Unlike festival wristbands that are usually forgotten and left on for the entire summer, the bro-celet is a carefully considered accessory – often with a heavy subtext. For Charles, the inclusion is a subtle nod to his positioning as an environmentalist King. 

Clever! These are very carefully planned. Men are purchasing them from designer boutiques and incorporating them into their daily wardrobes. Work, gym, pub; the bro-celet is a constant companion, favoured by both bankers in boardrooms and tech bros in Silicon Valley who wear them as a savvy power move, often paired down with an Apple watch.

And what about those A-listers you mentioned? Bro-celets have appeared on the wrists of some big names, like David Beckham, Harry Styles, Timothée Chalamet and Brad Pitt. It’s a subtle way to show some rebellion, and can easily be hidden under a sleeve when needed. Plus, many of these bracelets have a charitable connection, which is a nice bonus for those who want to avoid getting too political about capitalism and what not.

I was planning on wearing a tuxedo today, can I still ‘bro-celet’? Go for it! While some may assume a casual bracelet wouldn’t go with a formal suit, like the one worn by King Charles, the mix of high and low is all part of the charm.

TL;DR: Want to tell the world how much you care about [insert charitable cause], but are too busy getting ahead? Throw on a bro-celet and let your accessory of choice do the talking for you. 

Our relationship with food doesn’t only reflect our culture, it also helps to define it. In our latest issue of City Limits we invite you to enjoy our appetizers and insightful mains on city food…

City Limits Volume Nine – download it here.

We’ve seen so much in our City Limits series – Crowd DNA’s ongoing exploration of the urban experience – since it began in 2018. Over five years, it is our opportunity to bring together thoughtful reporting of what is happening now in cities and forecast how it could look next in compelling sectors like city living, youth culture, and mobility, to city-centric solutions and the night economy

We’re now back with our ninth issue and to ask what’s happening in the food and drink business in cities around the world after a challenging few years. It explores how what we eat and drink impacts on a city’s culture, ways that urban plays its part in a product’s story, and how food is such a pleasurable taste of change as it happens in our ever-evolving cities. 

We go to restaurants in Tokyo where Kaiseki fine dining means fun and frivolity, find out why Singapore’s hawker food culture is being harmed by nostalgia, enjoy slow moving cuisine in London, and taste when food gives community to the diaspora in cities around the world – and ultimately, to us all.

The full 17 page magazine includes:

_A semiotic analysis of how city sights and sounds are used by three food brands – even when made elsewhere

_Spotlight on what we drink reveals about a city culture

_How things are getting better (or at least not worse) with problems facing our food environments

_Five emerging trends in urban food 

_Interviews with local business people, with learnings for grassroots engagement in towns

City Limits Volume Nine – download it here.